Music Farm

Music Farm and Rockabillique are stoked to bring a night of Rockabilly music to the Music Farm on Wednesday, August 2nd at 8pm. This 4 band bill will feature Jared Petteys and The Headliners, The Innocents, Jem Crossland and The Hypertonics, and Uncle Tim’s Bench. Make sure to also check out Rockabillaque when it returns to North Charleston on November 18 for the 10th annual festival!

Aug 2, 7:30pm - 10:30pm

Music Farm

Welcome to Burlesque! Lily’s Burlesque is Charleston’s first modern burlesque company. Our ensemble brings the Vegas cirque vibes and includes solo performers, duets, group performances, aerial and acrobatics, and more! We are now home to the top talent in the Southeast. Be sure to bring those singles! Our performers work very hard to provide a great experience and tips help out ensemble continue bringing the best entertainment to you.

Aug 4, 8pm - 11pm

Music Farm

Drake White - The country music singer, Drake White, comes from Alabama, has multiple singles to his name, and his debut album, Spark, charted at #4 on Top Country Albums.

Mar 1, 9pm - Mar 2, 12am

Music Farm

Less Than Jake has been among the top of their class since their formation in 1992. One of the true pioneers of the ska-punk genre, their wild sounds and punk-style energy made them a generational favorite. Hits like "All My Best Friends Are Metalheads" and "The Science of Selling Yourself Short" have become timeless anthems among the youth and have cemented their musical legacy in music history.

Mar 16, 9pm - Mar 17, 1am

Music Farm

George Clanton is an electronic musician and singer-songwriter who is most recognized for his work in the vapor wave music scene. In 2015, he founded 100 Percent Electronica, an independent record label, and in 2019, he launched 100 percent ElectroniCON, the first vapor wave music festival.

Apr 21, 8pm - Apr 22, 12am

Music Farm

Charleston Business & Brews w/Special Guest Speaker Charleston Music Hall - Business and Brews is a monthly casual networking happy hour for community-engaged professionals in the Lowcountry South Carolina area that meets from 5-7:30 p.m. Each meeting has a 10-15 minute presentation by a local community leader, and the speaker can take Q&A afterwards. B&B is free to attend and open to the public.

Aug 22, 5pm - 7:30pm

Music Farm

Bowling For Soup w/ Special Guests Mest & Authority Zero Wed . Sep 6 , 2023 DOORS: 7 PM / SHOW: 8 PM $29.50 ADV | $35 DOS With their thirty year anniversary as a band on the horizon in 2024, Texas’ favourite punk rock export Bowling For Soup continue to grow their global fanbase and expand their success year on year. Also dubbed the crown princes of pop punk, Bowling For Soup – frontman and guitarist Jaret Reddick, fellow guitarist Chris Burney, drummer Gary Wiseman and bassist Rob Felicetti have proved that nothing, not even a global pandemic, has slowed the demand for their unique, humour filled live shows and upbeat, heartfelt anthems. Songs such as High School Never Ends, Punk Rock 101, 1985 and of course the Grammy nominated Girl All The Bad Guys Want resonate as much today as when they were written and are proving extremely popular in the modern streaming world. Their 2022 album, Pop Drunk Snot Bread, a play on the cultural reference “pop punk’s not dead”, was heralded by fans and critics alike as the band’s best release in fifteen years. Millions of streams and YouTube views for songs like Getting Old Sucks (But Everybody’s Doing It), I Wanna Be Brad Pitt and the global smash Alexa Bliss (dedicated to WWE’s own multi-time world wrestling women’s champion) show that Bowling For Soup can still run rings (and riffs) around their younger contemporaries. The album also features songs like The Best We Can, Wouldn’t Change A Thing and the positive mental health anthem Hello Anxiety, where Bowling For Soup show they can do both serious and reflective, with a BFS heart at the core. It’s a testament to the bands’ enduring appeal and a fanbase that continues to grow day after day – evidenced by their 100 million streams on Spotify in the year 2020 alone. Finding their niche back in the 1990’s would be tough when the musical climate was in serious shift. “We were just the stereotypical, small town guys with nothing else to do – starting a band to keep ourselves out of trouble” recalls frontman Jaret Reddick looking back. There was certainly no trend to follow, every other band seemed to be genre jumping to try and catch “the next big thing” without knowing what “the next big thing was”, leaving the members of Bowling For Soup with no option to just go out and have fun. Brought up on a heady diet of 80’s John Hughes Movies, LA Hair Metal, Steve Martin comedy routines (which spawned the band’s name) and hook laden punk rock, BFS hit the ground running on the simple blueprint – have a good time and pretty soon, everyone else will join in! Bowling For Soup are a band who’ve proven time and again that they can move with the times throughout a period of turbulence for the music industry. From their DIY roots, through to being on a major record label for many years (Jive Records) and being very successfully independent with their own label for over a decade, they are a band who’ve found success in every way. ‘We’re in control of everything now. If we decide we wanna do something, we just do it – we don’t need to ask anyone’s permission. It also makes you feel super proud when you do something yourself and it’s a success’, reveals Reddick. Prior to the COVID-19 outbreak, Bowling For Soup were playing to the biggest crowds of their career. Over 20,000 people witnessed their sold out 2020 UK tour with Simple Plan and they’ve sold out arenas alongside Steel Panther. Headline appearances at recent editions of UK festivals like Slam Dunk and Reading and Leeds have gone down a storm. At Reading Festival 2019 the crowd overflowed out of the stage with fans peering for a glimpse of “BFS”, while their appearances at the final editions of the US Vans Warped Tour brought enormous crowds to every show, no matter what time of day the band were performing. With the world experiencing live music again following COVID in 2022, Bowling For Soup’s enduring live appeal saw fans return in droves for huge tours in both the UK and US, many making a “BFS” show their first taste of live music since the pandemic. Whether it was huge theatre shows with Lit and The Dollyrots (UK), Less Than Jake and The Aquabats (US) or the sold out UK singalong with Jaret and Rob acoustic tour, the demand to see Bowling For Soup live in the flesh is bigger than it ever has been. 2023 sees the band return to play festivals and shows in mainland Europe for the first time in many years, alongside huge slots at the UK Slam Dunk Festival, while multiple US tours are in the pipeline. A Second chapter of their greatest hits, Songs People Actually Like Volume 2, is due to land late this Summer. Frontman Jaret Ray Reddick is also enjoying new adventures with his journey in the world of Red Dirt Country Music with his debut solo album Just Woke Up. While the music industry and the world at large is ever evolving, Bowling For Soup have prided themselves on moving with the times, keeping up with the latest ways to stay in touch with their fans (Jaret is now a huge star on TikTok) and get their music out there to as many people as possible. For generations of fans, there has always been a Bowling For Soup song for every occasion. They’re the band who make you smile and they’re the band who will pick you up when you are down, and as their song says, they wouldn’t change a thing.  

Sep 6, 8pm - 11pm

Music Farm

Polyphia Thu . Sep 7 , 2023 DOORS: 7 PM / SHOW: 8 PM $39.50 ADV | $45 DOS ince their formation in Plano, Texas in 2010, Polyphia have made a name for themselves by blending intricate guitar riffs with hip-hop rhythms, bass-heavy trap music, and progressive metal & rock influences. To date, the group have released four studio albums – Muse (2014), Renaissance (2016), New Levels New Devils (2018) and their latest album Remember That You Will Die (2022). Comprised of guitarists Tim Henson & Scott LePage, bassist Clay Gober, and drummer Clay Aeschliman, Polyphia has evolved into an international force with sold out shows across the globe, hundreds of millions of streams and video views, and a die-hard fan base. Remember That You Will Die, the fourth studio album from the genre-bending instrumental group, is out now via Rise Records. The album features collaborations with $not, Chino Moreno (Deftones), Brasstracks, Steve Vai, + more. Produced by guitarists Tim Henson & Scott LePage, the album also features production credits from Rodney Jerkins (Michael Jackson, Destiny’s Child, Lady Gaga), JUDGE (Migos & Marshmello, blackbear, Young Thug), the band’s longtime collaborator Y2K (Doja Cat, Remi Wolf, Tove Lo), Johan Lenox (Kanye, FINNEAS), and more on select tracks. A decade and four full-length albums in, Polyphia are taking over and show no signs of slowing down anytime soon.  

Sep 7, 8pm - 11pm

Music Farm

Yo La Tengo - This Stupid World Tour, DOORS: 7 PM / SHOW: 8 PM $30 ADV | $35 Day-of-Show - Time keeps moving and things keep changing, but that doesn’t mean we can’t fight back. Yo La Tengo have raced time for nearly four decades and, to my ears, they just keep winning. The trio’s latest victory is called This Stupid World, a spellbinding set of reflective songs that resist the ever-ticking clock. This is music that’s not so much timeless as time-defiant. “I want to fall out of time,” Ira Kaplan sings in “Fallout.” “Reach back, unwind.”   Part of how Kaplan, Georgia Hubley, and James McNew escape time is by watching it pass, even accepting it when they must. “I see clearly how it ends / I see the moon rise as the sun descends,” they sing during opener “Sinatra Drive Breakdown.” In the séance-like “Until it Happens,” Kaplan plainly intones, “Prepare to die / Prepare yourself while there’s still time.” But This Stupid World is also filled with calls to reject time – bide it, ignore it, waste it. “Stay alive,” he adds later in the same song. “Look away from the hands of time.”   Of course, times have changed for Yo La Tengo as much as they have for everyone else. In the past, the band has often worked with outside producers and mixers. Yo La Tengo made This Stupid World all by themselves, though. And their time-tested judgment is both sturdy enough to keep things to the band’s high standards, and nimble enough to make things new.    Another new thing about This Stupid World: it’s the most live-sounding Yo La Tengo album in a while. At the base of nearly every track is the trio playing all at once, giving everything a right-now feel. Take the signature combination of hypnotic rhythm and spontaneous guitar on “Sinatra Drive Breakdown,” or the steady chug of “Tonight’s Episode,” a blinkered tunnel of forward-moving sound. There’s an immediacy to the music, as if the distance between the first pass and the final product has been made a touch more direct.    The songs on This Stupid World were still journeys, though. An example is the absorbing, three-dimensional “Brain Capers.” To construct this swirl, the band blends guitar chords, bass loops, drum punches, and various iterations of Hubley and Kaplan’s voices into shifting layers. Simpler but just as dense is closer “Miles Away.” A dubby rhythm lurks below Hubley’s vocal, which brushes across the song like paint leaving bright blurs. Throughout the album, these touches, accents, and surprises intensify each piece. It’s a rarity – a raw-sounding record that gives you plenty of headphone-worthy detail to chew on.   This Stupid World gives your brain a lot to digest, too. All the battles with time drive toward some heavy conclusions. In the gripping “Aselestine,” Hubley sings about what sounds like a friend on death’s door: “The clock won’t tick / I can’t predict / I can’t sell your books, though you asked me to.” In “Apology Letter,” time turns simple communication into something fraught and confusing: “The words / Derail on the way from me to you.” Not everything is so serious, though. The absurdist “Tonight’s Episode” helps McNew learn to milk cows, steal faces, and treat guacamole as a verb. And somehow Alice Cooper, Ray Davies, and Rick Moranis show up in “Brain Capers,” all telling us time isn’t finished yet.   So I guess everyone on This Stupid World grapples with how time keeps steamrolling and how we keep trying to do something about it. It’s there in the title, a weary but clear-eyed pejorative that suggests determined resignation, a will to fight despite the grim odds. It’s there in the title track too: “This stupid world – it’s killing me / This stupid world – is all we have.” Such realism leads to the resolute optimism of This Stupid World’s parting shot, “Miles Away,” which sees time’s passage and life’s impermanence as things to deal with rather than reasons to despair. “You feel alone / Friends are all gone,” Hubley prays softly. “Keep wiping the dust from your eyes.”   Marc Masters

Sep 8, 8pm - 11pm

Music Farm

DROPOUT KINGS w/ Outline In Color & VRSTY TUE . SEP 12 , 2023 DOORS: 6 PM / SHOW: 7 PM $15 ADV | $17 DOS

Sep 12, 7pm - 9pm

Music Farm

LGBTLOL TSeats - $20 GA, $15 Pride Member | Standing - $15 GA, $10 Pride Member Laugh out loud at Charleston Pride’s annual LGBTLOL featuring Jenn Snyder, Shawna Jarrett, and more!  Come for an evening full of laughs, drinks, and good times coming together around some of your favorite comedians of the Lowcountry. Get your tickets now!

Sep 13, 7pm - Sep 14, 9pm

Music Farm

BEATS SOUNDSYSTEM w/ Equanimous WED . SEP 20 , 2023 DOORS: 7 PM / SHOW: 8 PM $20 ADV | $25 DOS The Beats of Beats Antique A sonic journey of electronics and improvisation with Sidecar Tommy & Miles Jay. Experimental takes on new and classic Beats Antique tracks, extended jams and dance floor dust ups, warping into a blend of global-electronic madness.  A dancefloor-oriented sound, with a focus on new musical boundaries and live experimentation.

Sep 20, 7pm - 9pm

Music Farm

Jimmy Eat World is a rock band from Arizona who gained recognition from their platinum album, Bleed American, and gold album, Futures, both of which had several charting singles like, “The Middle,” “Sweetness,” and “Pain.”

Sep 28

Music Farm

Deer Tick w/ Special Guests Country Westerns - The best art often challenges widely held preconceptions about performance and beauty. We’re moved when we find the sublime in the gross, entranced when crassness collides with grace. It makes poetic sense that one of this practice’s finest current purveyors is named after a blood-sucking survivor.   Deer Tick: undercutting expectations since 2004.   “I think a lot of my favorite artists have always done stuff like that,” Deer Tick front man John McCauley says from his home in Nashville, reflecting on his band’s love of unexpected mashups: tender lyrics layered over pissed off guitars; classical music flourishes delivered nearly naked and high. Deer Tick’s perfected it all, mostly as an outlier, revered by a legion of fans, respected by peers, but not part of any one scene. With their highly anticipated new project(s), two new albums released simultaneously titled Deer Tick Vol. 1 and Deer Tick Vol. 2, the crew from Rhode Island prove that their punk-roots rock has only gotten better with age.   Ambitious and smart, the twin albums complement one another but also stand independently. Vol. 1 is classic Deer Tick: folk-rooted acoustic guitars and soft piano cushion out-front vocals. Vol. 2 commits wholly to the band’s longtime garage-rock flirtations for a triumphant foray into punk.   McCauley sees the two records as a natural progression. “I think it’s something that was bound to happen, just because I’ve always had one foot in each door,” he says. “Every album we’ve put out has had its manic moments in one way or another. I felt good enough about everything that I was writing to think that we could truly separate our two big interests: quiet and loud.”   It’s been six years since Deer Tick’s last release Negativity, and devotees have grown restless. It wasn’t that the band—made up of McCauley, guitarist Ian O’Neil, drummer Dennis Ryan, and bassist Christopher Ryan—was withholding information. They just weren’t sure they had anything more to share. “It wasn’t anything that we actually talked about,” McCauley says. “We never said, ‘Hey, we should take a break,’ or ‘Maybe this isn’t working anymore.’ We just took some time off. We’d just done our 10-year anniversary shows, and I had a kid like two weeks later.” He pauses before adding with a hint of a laugh, “We just kind of got comfortable away from each other.”   McCauley, O’Neil, and the two Ryans popped up solo and on others’ projects. Personal lives also underwent massive changes, especially for McCauley, who married Vanessa Carlton and became a dad. The couple’s little girl is now two years old. For the first time ever, Deer Tick—an all-consuming band known for constant touring and steady artistic output—took a backseat.   When the band came back together for their beloved after-party shows at the Newport Folk Festival, the reunion reminded them what they missed about creating with one another. “Playing that week with the guys made me really want to do it—it made everyone want to do it,” McCauley says. “So we started making some plans to go in the studio.”   The result, recorded at Ardent Studios in Memphis, Tennessee, is a bold double punch that reminds us not only why Deer Tick has been so missed, but why they’ve become important artists. The songwriting on both volumes is masterful. McCauley wrote most of the tunes alone, but O’Neil and Dennis Ryan also make killer contributions. Self-aware and never self-important, McCauley excels at provocative lyrics that are sometimes confessional, sometimes accusatory. His compositions capture those internal contradictions that define us, like rock-and-roll “songs of myself” delighting in the multitudes and putting them on display.   Vol. 1 opener “Sea of Clouds” is a dreamy mediation on letting go, featuring stripped down instrumentation that swells into a mini-symphony, all anchored by angelic harmonies and McCauley’s familiar melodic snarl. It’s not the only time McCauley mulls over what it takes to move on. Heart-tugging “Only Love” mixes sadness and hope for a snapshot of impending loss. “I thought, ‘Nobody writes a song about that kind of weird, ominous feeling you get in the final 24 to 48 hours of a relationship,’” McCauley says. “I wanted to capture that mood in a song.”   Sauntering “Card House” is a flamenco-soaked threat with grotesque imagery, while lounge-ready “Cocktail” is a wry, piano-fueled stroll through fond boozy memories. “I guess it’s kind of a song about my strange relationship with alcohol—I’m still learning how to deal with it,” McCauley says. “I’m not a teetotaler. I’ve tried that. It’s not for me. I’m not into the support group thing. I enjoy life with a drink. Trying to keep my life in balance can be hard, but it’s something I’m capable of doing now.”   Tricky relationships with drugs and alcohol are addressed in different ways on both volumes. Hushed Vol. 1 closer “Rejection” pulses with vulnerability. “I wrote it about trying to help somebody in some way,” McCauley says. “What was going through my mind but I didn’t say in the lyrics is just reaching your hand out to somebody who’s going through substance abuse problems.” Vol. 2’s “Jumpstarting”—a favorite track of McCauley’s—offers the same kind of lifeline: he shouts startlingly sweet promises over crunchy guitars.   “Look How Clean I Am” immediately follows. Written and sung by O’Neil, the song doesn’t poke fun at sobriety but offers a droll takedown of how some use it as a means or marketing vehicle to further celebrity. It’s one of many genuinely funny moments on the project. Jumping “S.M.F.,” (aka Shitty Music Festival) written and delivered by McCauley, takes hilarious shots at a summer institution. “I thought I’d write that one for any band who’s ever had a bad time at a music festival. It’s one of my attempts at humor on the record, but then it just kind of comes off as anger,” McCauley says with a laugh.   McCauley wrote gorgeous instrumental “Pulse” thinking about the 2016 Orlando nightclub shooting. He lets his piano do the talking. “It’s a Whale” is punk perfection, all screams and growling guitars. “That’s probably the most political I’ll ever get in a song,” McCauley says. “I tried to put myself in the really dark headspace of maybe a men’s rights activist or something like that while trying to poke fun at it.” His chants of “Atta boy! Atta girl!” are the ideal blend of smirk-inducing and scary.   McCauley says he believes “Sea of Clouds” and “It’s a Whale” probably best capture the “extremities” of both records. He’s right, of course: it’s Vol. 1’s quiet vs. Vol. 2’s loud—Deer Tick’s dual personalities, finally channeled onto two distinct and equally brilliant records. “These albums represent a new phase of my life that I haven’t entirely figured out yet,” McCauley says. “I don’t really know what’s going to happen, but that’s part of the excitement for me.”

Oct 12, 8pm - 11pm

Music Farm

JAWNY FRI . OCT 13 , 2023 DOORS: 7 PM / SHOW: 8 PM $20 ADV | $25 DOS Too much thinking can get in the way of good art. That’s the philosophy that indie singer/songwriter JAWNY has embraced even under the pressure of recording his debut album, It’s Never Fair, Always True. JAWNY has built his career by intuition, letting his music evolve naturally as he grows personally. Instead of chasing the high of past successes — including his 2019 US Gold and Mexico Diamond-certified hit, “Honeypie” — he’s followed his gut and tapped into a new vision that reflects his growth over the years. Even as he embraces a “first thought, best thought” approach to making music, his songs have grown in scope and scale — elevating him from songwriter to indie-pop auteur with a kaleidoscopic vision and rich sense of narrative that informs everything he does. On It’s Never Fair, Always True JAWNY tackles a familiar storyline: a boy falls madly in love, eventually loses that love, then quickly spirals downward. The doomed tale unfolds with breezy guitar-pop that gradually builds into sweeping lovelorn reveries, a thrilling multi-part finale and a blistering feature from Grammy winning legend Beck. The album has received praise from the media with NME giving the album four stars stating, “The McCartney-esque piano tune ‘Fall In Love’ shows there’s more to Jawny than catchy alt-pop as he adds depth to his sound with a triumphant string section,” and Music Connection noting the album “closer “Selfish Hate” is Jawny’s most ambitious opus at eight minutes, a sad stoner’s “Bohemian Rhapsody.” “I’m old enough to feel old, but young enough to die alone…,” these opening lines of “Everything” serve as a mission statement from a more sophisticated, mature singer. Each release has added new wrinkles to JAWNY’s already ornate sound — which helped him grow from a maker of pristine pop songs to a thoughtful songwriter with his eyes on intricate stories and life’s big questions. All the while, he’s never lost touch with the technicolor melodies that fans fell in love with in the first place, but as he’s prepared for his debut album, he’s learned to write with real empathy and depth — the mark of a songwriter who remains more wise and gifted than his years suggest. But still, even as he proves himself capable of ambitious arrangements and his audience proves they’re able to keep up with him at every unpredictable turn, JAWNY remained steadfastly in the moment as he worked on It’s Never Fair, Always True. “I just chased whatever felt right that day,” he says. “I can’t overthink it.” The result is a whimsical, wild rush of a debut that traces all the twists and turns of life and love in its purest moments. As its title suggests, the album is honest and real — a record that captures how JAWNY feels right now, while, importantly, staying connected to every step of the journey that brought him here. “I feel like I made my dream album that I wish I had the ability to make when I was 17,” he says. “But I’m just a giant child at heart, and I never wanna lose that. Otherwise, what’s the fucking point?” In support of his debut album JAWNY has been on the road for The It’s Never Fair, Always True tour which has included stops in Los Angeles, New York (two shows), Chicago and more. Born in the Bay Area, and raised in Philadelphia, JAWNY first picked up a guitar at age 6 after watching his dad jam to the Grateful Dead, Pink Floyd, and Led Zeppelin. At 13, he began making beats with his brother, eventually landing placements with rappers on SoundCloud. In his early 20s, he began writing his own songs, and started to gain buzz with his 2018 debut EP under the name Johnny Utah, landing placements on critically acclaimed shows like the HBO series, High Maintenance. JAWNY followed that up with a handful of buzzworthy singles, including Honeypie, that landed on a number of tastemaker playlists and garnered millions of streams. In 2020, JAWNY signed to Interscope Records and soon released a pair of vibrant, critically acclaimed projects, For Abby and The Story of Hugo, which further showcased his sharp storytelling and sonic experimentation and put him front & center on a number of notable playlist covers around the world and as a Vevo DSCVR Artists To Watch.

Oct 13, 8pm - 11pm

Music Farm

Emo Night Brooklyn - Ethan and Alex, two best friends who grew up listening to music, going to gigs, and throwing incredible parties together, launched Emo Night Brooklyn. The inaugural ENB took place in a crowded basement at a Williamsburg tavern.

Oct 20, 10pm - Oct 21, 12am

Music Farm

Boy Named Banjo w/ Brother Elsey Thu . Oct 19 , 2023 DOORS: 7 PM / SHOW: 8 PM $20 ADV | $25 DOS Writer: Cindy Watts In a time when the popular choice is to chase the double yellow line down the road to country radio, Boy Named Banjo thrives on its fringes. The Nashville-raised five-piece is a fusion of contemporary country, Americana and folk-rock stacked on a foundation of bluegrass. “We’re trying to find our own niche within popular country music today,” says Sam McCullough (drums). “But not straight down the middle.” The band, which has been together in some iteration since members were in high school, is comprised of Barton Davies (banjo), Ford Garrard (bass/standing bass), Sam McCullough (drums) Willard Logan (mandolin, acoustic/electric guitar) and William Reames (acoustic guitar/harmonica). William and Willard played in a middle school garage rock band together, but it wasn’t until William met Barton in high school English class that Boy Named Banjo started to take shape. Barton had just started playing banjo when he heard William listening to bluegrass music. He suggested they jam together, which led to them asking Willard to join them. The guys started playing music on the streets of downtown Nashville, which is where the name “Boy Named Banjo” was created, outside of the famed Robert’s Western World. While playing, a man walked by and yelled to Barton “Play that banjo boy!”  Later that night William came up with the name Boy Named Banjo, which has stuck ever since. Ford started playing bass when he was 13 years old, and he, Willard, William and Barton shared a guitar teacher. They played a couple of shows together in high school, but it wasn’t until after college that Ford and Sam joined the band and together the five guys formed the band Boy Named Banjo that we know today.  “I was like, ‘I don’t think you need a drummer because you’re a bluegrass band, but I’ll be your drummer if you want me to be,’” Sam recalls. “They were like, ‘Hell yeah, let’s do it.’” That was the summer of 2013, and the addition of the bass and drums immediately started to evolve the group’s sound from its rootsy, string band feel into something more commercial. Not only did the band continue to steadily release music independently, releasing two albums and an EP, the band developed its one-of-a-kind live show over the years until it attracted Mercury Records Nashville’s attention in 2019. Boy Named Banjo had just launched their most extensive headlining tour to date when the pandemic commanded them to drive the 36 hours from Portland, Oregon, back to Nashville and put their lives on hold for the next 18 months. They became the first act that Universal Music Group Nashville signed via Zoom about two weeks later. “We’re a very live-driven band,” William said. “We love to play live. We love for people just to have a great time. We also have a lot of banjo solos and electric guitar. I feel like our music is an escape from everyday life. You come to a show, and we have a little bit of something for everyone.” While the pause wasn’t what anyone planned, Boy Named Banjo released their debut EP, Circles,in summer of 2021. The collection includes seven tracks co-written by members of the band including the compassionate “Go Out Dancing,” which the band says takes on a much larger meaning post pandemic thinking “if it really was ending” what would we do? They used the time to write songs and hone in on their sound with writer/producer Oscar Charles (Carly Pearce, Charlie Worsham, Elvie Shane). With a catalogue of songs to choose from, and recent time spent in the studio, the guys are deciding what to run with next. “They built themselves into something great and Nashville noticed. These guys are realer than the real deal,” says Charles. “The pause was tough touring wise because that’s where we really thrive is on the road,” William said. “If people haven’t heard us, they seem to get it when they see us live. That’s a huge aspect of what we do, so figuring out how to capture our live sound in the studio is tricky. But that time allowed us to figure that out a little bit.” Until now, members say, they were finding their way through their “musical adolescence.” “We have a special chemistry together,” Barton said. “I think we’re really just starting to know what Boy Named Banjo sounds like from here on out,” Sam said. The band is currently out on the road playing some of country music’s largest festivals including Dierks Bentley’s Seven Peaks, Country Jam, and they recently made their CMA Fest debut playing at the Ascend Amphitheatre Nighttime Concert. They head out on the road this fall as direct support to multi-PLATINUM singer/songwriter, Kip Moore on his Fire on Wheels Tour.

Oct 19, 8pm - 11pm

Music Farm

WELCOME TO EMO NIGHT BROOKLYN, A LATE NIGHT DJ BASED DANCE PARTY BLASTING ALL YOUR FAVORITE EMO AND POP PUNK JAMS. WE MAY EVEN INVITE SOME OF YOUR FAVORITE ARTISTS AND BANDS TO SURPRISE YOU AND JOIN THE PARTY. GET READY TO SCREAM YOUR LUNGS OUT, MOSH AND DANCE TO ALL YOUR FAVORITE SONGS WITH ALL OF YOUR FAVORITE PEOPLE AND EXPERIENCE THE AWESOMENESS THAT IS EMO NIGHT BROOKLYN.

Oct 20, 9:30pm - Oct 21, 1am

Music Farm

SOJA is an American Grammy Award-winning reggae band based out of Arlington, Virginia. Founded in 1997 by high school friends, SOJA's music has gone on to reach audiences around the world. A hybrid of reggae, funk, and hip-hop, their sound gains influence from the many cultures in their hometown.

Oct 28, 7:30pm - Oct 29, 12am

Music Farm

Free Throw & Prince Daddy and The Hyena w/ Charmer & Saturdays At Your Place Fri . Oct 27 , 2023 DOORS: 6:30 PM / SHOW: 7:30 PM $25 ADV | $30 DOS

Oct 27, 7:30pm - 9:30pm

Music Farm

Mia X Ally Tue . Oct 31 , 2023 DOORS: 7 PM / SHOW: 8 PM $25

Oct 31, 8pm - 10pm

Music Farm

Mike Dimes - Based in San Antonio, Mike Dimes is a rapper who creates menacing three-dimensional beats with confidence and creativity. With tracks like "Home," "Backroom," and "No Trends," he has gained more than three million monthly listeners on Spotify.

Nov 7, 7pm - 11pm

Music Farm

Roosevelt is a producer, singer, and songwriter. His music cuts across synch-pop, indie electronic, and hypnagogic pop genres. Roosevelt released his self-titled debut album in 2016. He has dropped two other albums since then.

Nov 14, 8pm - Nov 15, 12am

Music Farm

Mike Dimes + Dro Kenji Do Not Disturb Tour Tue . Nov 7 , 2023 DOORS: 7 PM / SHOW: 8 PM $22 ADV | $25 DOS

Nov 7, 7pm - 10pm

Music Farm

Come see the best live local music show of the year!  See Charleston’s best local musicians perform across multiple music genres including: Americana, Rock, Reggae, Hip Hop, Country, Jazz and many more. Our 13th Annual Music Awards is a celebration of local music and local musicians.  Winners are chosen by you! Readers and web visitors of the Charleston City Paper have voted for their favorite performers. Come see some of Charleston's great local performers and see who Charleston has chosen as the best in local music at the Music Farm on Wednesday, November 8th, 2023.

Nov 8, 7pm - 10pm

Music Farm

ARMOR FOR SLEEP w/ The Early November & The Spill Canvas MON . NOV 6 , 2023 DOORS: 6:30 PM / SHOW: 7:30 PM $27 ADV | $30 DOS  

Nov 6, 6:30pm - 8:30pm

Music Farm

Pop Evil w/ Fame On Fire & LYLVC Fri . Nov 10 , 2023 DOORS: 8 PM / SHOW: 9 PM $27.50 ADV | $30 DOS

Nov 10, 9pm - 11pm

Music Farm

ROOSEVELT TUE . NOV 14 , 2023 DOORS: 7 PM / SHOW: 8 PM $25 ADV | $28 DOS  

Nov 14, 8pm - 11pm

Music Farm

Varietopia w/ Paul F. Tompkins A 21st Century Variety Show Fri . Nov 17 , 2023 DOORS: 6 PM / SHOW: 7 PM $20 - $30 VARIETOPIA is a modern variety show, showcasing the best in contemporary comedy, music, and other forms of live entertainment, hosted by acclaimed comedian Paul F. Tompkins. Debuting at the Largo nightclub in 2002 under the name The Paul F. Tompkins Show, the program ended its long and only slightly intermittent run in 2014. Now it returns and is coming all the way to Charleston, SC! Guests re always a surprise and surprises are guaranteed. PAUL F. TOMPKINS is a comedian, actor, improvisor, podcaster and writer. For a full list of Mr. Tompkins’ stage, television and film credits, ask your teacher or a policeman. Past guests of the show include: Adam Scott, Aimee Mann, Andy Richter, Ben Gibbard, Ben Schwartz, Bob Odenkirk, Busdriver, Busy Phillips, Cameron Esposito, Fiona Apple, Fred Armisen, Dave Foley, Derek DelGaudio, Donald Glover, Eban Schletter, Ed Helms, Gillian Jacobs, Jack Black, James Adomian, Jennifer Coolidge, John Hodgman, Jon Cryer, Jon Hamm, Judy Greer, Kaitlin Olson, Karen Kilgariff, Kevin McDonald, Kristen SchaalLaraine Newman, Maria Bamford, Martin Starr, Mary Lynn Rajskub, Maya Rudolph, Michael Sheen, Neil Patrick Harris, Nick Kroll, Open Mike Eagle, Patton Oswalt, Puddles, Rhett Miller, Robyn Hitchcock, Superego, Ted Leo, Tenacious D, The Watkins Family, Thomas Lennon, Tim Meadows, “Weird Al” Yankovic, Zach Galifianakis

Nov 17, 6pm - 9pm

Music Farm

Shrek Rave - Put on your best ogre costume and enjoy a night of music, dancing, and green-tinted fun. Shrek Rave is the ultimate celebration of the beloved ogre, with a soundtrack filled with all the throwback jams from the classic movie. Featuring special green-tinted light show, fog machines, and plenty of surprises throughout the night, this event will take you on an adventure with Shrek and the gang.

Nov 25, 9:30pm - Nov 26, 12am

Music Farm

Mersiv - The brainchild of Anderson Benoit Gallegos, Mersiv is breaking boundaries in the electronic music scene. With deep, brooding tracks and hip-hop inspired lyrics, songs like "Beautiful & Filthy" and "Paradise" are sure to get the crowd going wild when the bass drops.

Dec 3, 8pm - Dec 4, 12am

Music Farm

Taylor Swift Night - Designed by die-heart Swifties, Taylor Swift Night: The Taylor Party is for the ultimate fans of Taylor Swift who would like to spend the night dancing and singing along to her songs non-stop.

Dec 16, 9pm - Dec 17, 12am

Music Farm

THE TAYLOR PARTY Taylor Swift Night Tier 1: $15 | Tier 2: $20 | Tier 3: $25 THIS EVENT IS 18+ THE TAYLOR PARTY “Hey, Lovers! Are you ready for it? THE TAYLOR PARTY: TAYLOR SWIFT NIGHT, a Taylor Swift Inspired Dance Party like no other.  Experience an Enchanting evening, singing and dancing through all of the iconic eras, creating The Story of Us.  Pick your Eras outfit, bring your besties, and come party, for evermore! Sparks are sure to fly  

Dec 16, 8pm - Dec 17, 2am

Music Farm

Mac Miller Night A Night Honoring the Life and Music of Mac Miller Sun . Dec 17 , 2023 Show Starts at 8 PM $15 Early Bird | $20 ADV | $25 DOS Join Us in Celebrating The Life and Music Of Mac Miller! In Honor of Mac Miller a portion of proceeds will be donated to The Mac Miller Fund  

Dec 17, 8pm - 11pm

Music Farm

TAUK is an Oyster Bay, New York-based four-piece progressive rock-fusion band. They have previously toured with Umphrey's McGee, Disco Biscuits, Papadosio, STS9, The String Cheese Incident. For years, the band has performed roughly 160 gigs across the United States annually.

Dec 31, 9pm - Jan 1, 12am

Music Farm

Corey Smith w/ Special Guest Jeb Gipson Sat . Dec 30 , 2023 DOORS: 7 PM / SHOW: 8 PM $27.50 ADV | $30 DOS Smith has amassed an unfailingly devout fan base, not only in his native Southeast region, but all around the nation, simply by telling it the way it is.  He has released 10 albums—including 2011’s Top 20 release “The Broken Record”.  Corey has written every word on every album and has produced 9 out of 10 of the records. In Summer 2015, Corey teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album, “While the Gettin’ Is Good,” released on Sugar Hill Records.  Smith’s concerts, which were documented on his last live record, “Live in Chattanooga”, regularly sell out, with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One,” the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone”.  Corey has a consistent touring history, usually hitting around 120 dates per year, but recently has taken a pause form touring to undergo a risky eye surgery.  During his time at home, Corey has begun releasing solo acoustic tracks every week, directly to his devoted fan base via his YouTube series Songsmith Weekly and all music streaming platforms.  These tracks, such as “Cellophane”, “Where I Wish I Was” and “Going Blind” have re-energized his fan base.  Corey is planning in compiling these releases in a more traditional album format later this year and is currently on tour. 

Dec 30, 8pm - 10pm

Music Farm

JT & Carly: A Tribute – The Life and Music of James Taylor and Carly Simon $30 The Village Repertory Co is pleased to present  JT and  Carly: A Tribute at the Charleston Music Hall, Saturday January 13th, 2024. The very best music of a generation is highlighted along with the life story of two legendary singer-songwriters. Six talented performers cover the biggest hits including Mockingbird, Fire and Rain, Sweet Baby James, Nobody Does it Better, Smiling Face and many more. Don’t miss it.

Jan 13, 8pm - 10pm

Music Farm

Black Jacket Symphony Presents Journey’s Escape $40 Remember putting on an album and listening from start to finish? Relive that moment with a live concert experience unlike any other as The Black Jacket Symphony recreates a select classic album live in its entirety—note for note, sound for sound—plus a full set of greatest hits from the evening’s artist. Over the past ten years, the Black Jacket Symphony has performed over 40 classic rock albums, bringing an incredible night of entertainment to over a million music lovers across the US. The group of hand-picked musicians changes based upon the album being performed—and no sonic detail is overlooked, with the musicians doing whatever it takes to reproduce the album. It’s a full night of rock and roll magic—plus a visual experience unlike any other. Fans across the country flock to their shows—and once you see one, you won’t miss another!

Jan 25, 8pm - 11pm

Music Farm

Easy Honey - Hailing from the Charleston, South Carolina Easy Honey creates sun-twinged indie-rock tracks that evoke the ocean breeze at sunset. Their dynamic stage presence and infectious guitar riffs have earned them a devoted following of fans across the nation.

Feb 2, 8pm - Feb 3, 12am

Music Farm

Jupiter Coyote Sat . Jan 27 , 2024 DOORS: 7 PM / SHOW: 8 PM $20 ADV | $25 DOS  

Jan 27, 8pm - 10pm

Music Farm

Hannah Wicklund Hannah Wicklund has been traveling fast and far, playing big cities and small towns around the world since starting her band at 8 years old. With her new album, Produced by Sam Kiszka, she is now arriving somewhere completely unexpected. Ethereal texturing, smokey falsetto vocals, string section surprises and guitar solos that carry equal parts pain and joy are woven tastefully into what Wicklund says is , “A record that just sounds like me”. Much like Hannah’s paintings she has become known for, each song is intricately entrancing and honored with two things seemingly lost in today’s world….patience and time. With Sam Kiszka on bass/keys/organ and Danny Wagner on drums, both of Greta Van Fleet, the songs serve as a rock ’n’ roll roadmap to a crossroads that Wicklund has been unknowingly gravitating towards for well over a decade. X marks the spot where the weary girl speeding towards the woman she will become meet in a fiery head-on collision. On this album, we hear from the woman rising from that wreckage. The woman who’s scarred but smarter, holds compassion for the girl who carried her here, and with wide-open clear eyes, unflinchingly stares down the future.   Indeed, The Prize is a beautiful representation of what raw feminine power and determination look, feel and sound like. Carved with pain during the most wounded and fragile point in our young heroine’s life, this record is for anyone that has ever had to look inward to move onward. “This album was so radically healing for me, and I hope it can inspire and perhaps play a role in someone else’s story” says Wicklund. “I want us all to remember, it can be lonely and is never easy ‘doing the work’, but we are each worthy of our own love, time, and dedication.”

Feb 8

Music Farm

G. LOVE & SPECIAL SAUCE - 30TH ANNIVERSARY TOUR W/ JAKOBS CASTLE

Feb 9

Music Farm

Music Farm is proud to present Charleston Hip-Hop Night featuring artist from within the community. Come out and support these fantastic local artist because this is a show you do not want to miss. KINGJAY, JTRAWWWW, BLUFLAME JAMES, STREETS LOVE

Apr 27, 8pm - 10pm

Music Farm

Kidd G is a rapper and country music singer from Georgia who first found fame through online platforms like TikTok and SoundCloud. After his nostalgia-soaked ballad "Dirt Road" went viral, he found more success with singles like "Teenage Dream" and "Summer In A Small Town."

Mar 11

Music Farm

Big Wild: The Efferusphere Is Here Tour w/ Special Guest Bay Ledges

Mar 27, 8pm - 11pm

Music Farm

Alexander Kotz, better known by his stage name Elderbrook, is a songwriter, musician, and producer from England. His 2017 single "Cola" with CamelPhat topped the US Dance Club Songs chart and UK's Indie chart, while also bringing them a Grammy nomination in 2018.

Mar 29

Music Farm

Samia is an American singer-songwriter from New York City with a "sardonically sunny" indie-rock sound. Given that her parents are the actors Kathy Najimy and Dan Finnerty, Samia has been acting and pursuing music for most of her life.

Apr 13

Music Farm

Five for Fighting - Doors will open at 7:00 pm and the show will begin at 8:00 pm. There are no COVID restrictions on this event currently. Please note we are a cashless facility & are no longer able to accept cash as a form of payment at the box office and bar. All bags must be clear except for small personal clutches (no larger than 4.5 in x 6.5 in). Please visit MusicFarm.com/FAQs for more venue information. We hope you enjoy the show!

Jul 2, 8pm - 11pm

Music Farm

STEEL PANTHER TUE . JUL 25 , 2023 DOORS: 7 PM / SHOW: 8 PM $30 ADV | $35 DOS For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday. Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy – and relatable.”

Jul 25, 8pm - 9pm

Music Farm

The Royal American will be running the kitchen at the new Music Farm. The concept will be known as The Royal American Outpost, and they will be serving food for concert goers at every show. They will also have a window open on Ann Street, so late night King Street bar hoppers can stop by and grab some food.

Music Farm

Independent Artist Showcase featuring Bennett Coleman, Lo Monaco & Ned Abernathy Thu . Jan 19 , 2023 DOORS: 7 PM / SHOW: 8 PM $20 ADV | $23 DOS Join us for an evening of Independent Music featuring Bennett Coleman, Lo Monaco & Ned Abernathy  

Jan 19

Music Farm

MUSIC FARM SHOWS!: In case you missed it, the Charleston Music Hall team has taken over operations of the Music Farm located at 32 Ann Street in downtown Charleston. Renovations and modifications to the club are already underway and the first group of concerts was announced this week. The first round of shows at the Music Farm are as follows: SUSTO on Friday, April 15th SUSTO on Saturday, April 16th Son Volt on Thursday, April 28th Lawrence on Sunday, May 1st Tickets for all four shows go on sale on Friday, January 14th at 10 am.

Music Farm

GWAR, the infamous heavy metal band made up of a rotating line-up of costumed musicians, will perform at the updated Music Farm on Saturday, June 4th at 8 pm. Tickets are on sale now.

Music Farm

Riot Stares, Florida Man & To Forget DOORS: 7 PM / SHOW: 8 PM $15 ADV | $17 DOS

Mar 30, 8pm - 11pm

Music Farm

PROF - The Workhorse Tour DOORS: 7 PM / SHOW: 8 PM ADV: $25 | DOS: $28 With lyrical skill matched only by his raucous live shows, Prof has arrived on the national stage. Coming out of Minneapolis, Minnesota, Prof has perfected the art of combining blue collar hard work and unimpeachable content with never taking himself too seriously. His seventh studio album, Horse, due out on his own Stophouse Music Group label April 14, 2023, is set to let the world at large in on a secret that music fans already know, Prof is a force to be reckoned with. His most recent album, Powderhorn Suites, shocked pundits and industry alike with an amazing run through the charts and streaming platforms. Released in November, 2020, Powderhorn Suites reached a career-high #3 on the Billboard Current Rap Albums charts, #5 Top New Artists Albums, #15 Independent Album, and #36 Billboard Top Albums. What followed has been a masterclass in making it as an independent artist; Prof leaned into the fantastical tales and dynamic persona that have cultivated his rabid fan base. He reclaimed his outlets, going from zero Youtube followers to over 160,000 subscribers in under two years. Following the Powderhorn Suites album, Prof notched his biggest year to date in 2022, racking up over 140 Million streams of his catalog and performing 30 sold out shows across the country. Horse is the culmination of his personal Rocky training montage, but you can’t call it a comeback, because Prof’s numbers have only ever gone up. Horse is a powerful record, showcasing his singular drive and the weirdness of real life that has propelled Prof to the pinnacle of the independent rap music world, bringing his legions of “Gampos”, as his fans are affectionately known, alongside him. Horse’s 14 tracks include a heavyweight cast of features, from Method Man on “Subpar”, to Kevin Gates’ big sound gracing “Devils Gate”, and a brilliant appearance from Redman on “Pack a Lunch”. Prof’s contemporaries have clearly noticed the ever growing Gampo movement bursting out of the Twin Cities. Cozz and Mac Irv also appear on the album, which was produced by Prof alongside a small cadre of close collaborators. Prof will follow up the release of Horse with a XX city headline tour, hitting marquee live music venues like YY and ZZ, along with some key festival appearances. Riding life sized carpets over his massive crowds and leaving it all on the stage, Prof’s live shows have always been more than a concert, they are an experience. As the audiences grow and his production evolves, Prof has moved from survival mode to takeover mode, and one thing is for sure, Prof thrives on the biggest stage.

Apr 24, 8pm - 10pm

Music Farm

Jaten Dimsdale, also known by his stage name Teddy Swims, is a singer-songwriter and pop artist from Atlanta. He integrates elements of soul, funk, country, and R&B into popular tracks like "911," "You're Still The One," and "Ben on Fire."

Nov 16

Music Farm

TOKEN THU . FEB 2 , 2023 DOORS: 7 PM / SHOW: 8 PM $22 ADV | $25 DOS Confidence can’t be given. Instead, it’s earned. Through a prolific, albeit quiet grind, Token has morphed into an outlier in hip-hop. Powered by razor sharp wordplay, head-spinning verbal acrobatics, and off-kilter hooks, the Massachusetts born rapper evolves at a dizzying pace. After amassing hundreds of millions of YouTube views and streams independently and receiving acclaim from The Boston Globe, XXL, Complex, and more, he leaps forward again on his 2022 project Pink Is Better—the first album released under his own label Never Too Different and Atlantic Records. “At first, I was trying to do everything to impress people. This is the first time where I’m doing the music that inspires me. I’ve now become my own person, and I’m confident I can make it as far as I want without compromising. I’m inspired by artists who continuously change it up. I’m more tapped into who I truly am. I don’t want to be known for anything other than being me.” Growing up outside of Boston, music anesthetized depression, anxiety, stress, and loneliness throughout his childhood. So, Token put his head down and honed his craft at just 10-years-old, putting in countless hours, recording tracks of his own, burning CDs, and distributing them around Massachusetts. During 2015, his “No Sucka MCs Contest Entry” went viral, eventually exceeding 5.7 million YouTube views. After Token wound up on Mark Wahlberg’s radar, he appeared on the hit television show Wahlburgers and landed a role in the blockbuster Patriots Day. Simultaneously, he lit up Sway in the Morning with a headline-making six minute freestyle. XXL christened it “one of the year’s best freestyles, if not one of the best performances ever on Sway’s legendary show.” On its heels, he dropped his first mixtape Eraser Shavings in 2016 followed by 2018’s Between Somewhere, which vaulted into the Top 5 on the iTunes Hip-Hop/Rap Albums Chart. Generating 100 million-plus streams, it also spawned anthems, including “YouTube Rapper” [feat. Tech N9ne], “Household Name,” and “Flamingo.” Not to mention, he sold out shows on multiple continents and contributed music to the Fast & Furious Hobbs & Shaw soundtrack and Scoob! The Album.  Throughout 2020, he carefully assembled what would become Pink Is Better, achieving a sense of personal and creative balance.  “Pink represents balance,” he affirms. “It’s the middle ground of red and white. It’s what I’ve been going through during the last two years. I’m an extreme person. The red side is the fast lifestyle—girls, money, and getting fucked up. The white side represents a white flag, giving in to my emotions, overthinking shit, and feeling defeated. It’s about embracing the life that’s been given to me in a healthy way rather than living all the way on one side or the other.” Following “Chit Chat” and “Sip,” the single “High Heels” [feat. Rico Nasty] illuminates his progression. He leans into the skittering beat as he drops charismatic and catchy bars with no shortage of boastful charm punctuated by a rare Rico Nasty cameo.

Feb 2, 7pm - 10pm

Music Farm

🎸FINALE CONCERT: Join the Black Food Truck Festival in celebrating their one-year anniversary at Music Farm! Headlining the night will be the star studded MVP Band out of Jacksonville, Florida, with opening act La'Faye & the Fellas kicking off the party! Doors Open at 7:00PM La'Faye & the Fellas 8:00PM The MVP Band 10:00M

Nov 20, 7pm - Nov 21, 12am

Music Farm

Based in Los Angeles, Moonchild is an alternative R&B band formed in 2011. Consisting of three USC alumni, their debut album garnered praises from renowned musicians including Stevie Wonder. Their most popular singles include "The List," "Cure," and "Back to Me."

Nov 30

Music Farm

🏟WORLD CUP SCREENING USA v Iran: Watch the USA v Iran game today on our 20ft projector screen! Doors open at 12pm, the game starts at 2pm. This event is FREE and open to everyone! The bar and Tully’s Kitchen will be open with specialty food and drinks for purchase.

Music Farm

The Movement is a reggae band from Columbia, South Carolina, formed in 2003. Josh Swain and Jordan Miller, the two founding members, traveled to Philadelphia, Pennsylvania, recruiting local Philadelphia musicians Jay Schmidt and Gary Jackson to form a live rhythm section.

Mar 17 - Mar 18

Music Farm

ELDERBROOK WED . MAR 29 , 2023 DOORS: 7 PM / SHOW: 8 PM $20 ADV | $25 DOS A live phenomenon, multi-instrumentalist, producer, singer-songwriter, and father-of-two Elderbrook has an innate flair for creating emotive music that explores the sensitive and introspective themes of identity, mental wellbeing and, more recently, parenthood.   Over 1.5 billion global streams, Grammy and Ivor Novello nominations, tours with Jungle, Rüfüs Du Sol and odesza, and collaborations with Camelphat, Diplo, Bob Moses and Rudimental have earned him a revered reputation as a dynamic, multi-faceted, forward-thinking talent who is confident and comfortable exploring a range of genres.   As Elderbrook prepares for the release of his sophomore album he delves into the life-changing impact of fatherhood. His outlook is focused on the bigger picture, appreciating the little moments and the deep connection with his beloved children. The result is a positive and uplifting dance-focused LP full of Elderbrook magic.

Mar 29, 8pm - Mar 30, 12am

Music Farm

Swifties Unite: Music Farm to Host Taylor Swift-Inspired Dance Party

Sep 17, 9pm - 11pm

Music Farm

G. LOVE & DONOVAN FRANKENREITER w/ Special Guest Nat Myers THU . FEB 9 , 2023 DOORS: 7 PM / SHOW: 8 PM $39.50 ADV | $45 DOS

Feb 9

Music Farm

Cheyenne Giles w/ Special Guest ALX - Born & bred in San Diego, Cheyenne Giles has exploded within the dance music scene. His originals and mashups deliver a hefty dose of his energetic “Big Room Bounce” sound that has piqued the interest and gained the support from some of the world’s best DJ’s. Tiesto, Martin Garrix, The Chainsmokers, Loud Luxury and other artists have been known to drop his tracks regularly in their sets. In 2019, Cheyenne signed a record deal with Tiesto’s Musical Freedom label. The legendary DJ and label boss has gone on to say “Cheyenne is a unique producer who invented a unique festival groovy banging style!” With an array of upcoming high-profile performances and releases, Cheyenne Giles is proving to the dance music world that he, along with his unique and undeniably catchy sound, is here to be the next mainstay.

Feb 8

Music Farm

COUNTRY CLUBBIN’ – BOOT, SCOOT AND BOOGIE DANCE PARTY Featuring all your favorite Country Hits from Kacey Musgraves, Luke Combs, Shania Twain & More!

Mar 23, 9pm - Mar 24, 1am

Music Farm

Hailing from Texas, Penny & Sparrow is an indie-folk duo consisting of lyricist Andy Baxter and guitarist Kyle Jahnke. Their vocals blend into mesmerizing tracks like "Eloise," "Don't Wanna Be Without Ya" and "Duet" featuring Stephanie Briggs.

Nov 2, 8pm - 11pm

Music Farm

Lotus is an instrumental electronic jam band from Indiana that creates music in multiple genres including indie rock, hip-hop, and electro-pop. Their popular singles include “Sodium Vapor,” “Colorado,” and “Umbilical Moonrise.”

Feb 19

Music Farm

Gimme Gimme Disco is a DJ-based disco dance party inspired by ABBA, where plenty of other '70s and '80s hits are also played from artists like Cher, The Bee Gees, and Donna Summer.

Feb 24

Music Farm

Local Nonprofit Hosting Fundraising Event at the Music Farm. The fundraising event will include a live DJ yoga class, mimosas, elixir bar, food, an auction, and more

Aug 20

Music Farm

Adam Melchor is a folk singer and songwriter from Los Angeles who has earned a loyal fandom with popular tracks like "Real Estate," "Joyride," and "Moon in the Morning." Starting as an opera major, he now has almost two million monthly listeners on Spotify.

Feb 21

Music Farm

Jxdn (stylized in all lowercase and pronounced "Jaden") is an American singer, songwriter, and TikTok celebrity from Chattanooga, Tennessee. In 2019, he gained prominence on TikTok before launching his music career in early 2020 with the release of his debut track "Comatose."

Mar 31

Music Farm

Crying in H Mart: A Conversation with Michelle Zauner $35 GA ticket - no book $55 GA ticketing - includes book Join us for an evening in conversation with New York Times Bestselling author and lead vocalist of the alternative pop band Japanese Breakfast, Michelle Zauner, as she celebrates the paperback release of Crying in H Mart, an unforgettable memoir about family, food, grief, love, and growing up Korean American. Food + beverage will be available for purchase from Music Farm and guests will have the opportunity to have a copy of the book signed by Michelle and take photos following the conversation. About Michelle Zauner NEW YORK TIMES BEST SELLER • From the indie rock sensation known as Japanese Breakfast, an unforgettable memoir about family, food, grief, love, and growing up Korean American. •  “In losing her mother and cooking to bring her back to life, Zauner became herself.” —NPR   In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band–and meeting the man who would become her husband—her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread. MICHELLE ZAUNER is best known as a singer and guitarist who creates dreamy, shoegaze-inspired indie pop under the name Japanese Breakfast. She has won acclaim from major music outlets around the world for releases like Psychopomp (2016) and Soft Sounds from Another Planet (2017). Her most recent album, Jubilee (2021), earned two GRAMMY nominations for Best New Artist and Best Alternative Music Album. Her first book, Crying in H Mart, is a New York Times Best Seller. She’s currently adapting the memoir for the screen for MGM’s Orion Pictures.   Michelle’s Socials: IG: @jbrekkie; Twitter: @jbrekkie; FB: @japanesebreakfast

Apr 18, 6pm - 7:30pm